![]() Then there was the matter of the incident itself. (Kai’s mother offers a weak rebuttal.) Kai tried to start a fire in the family home and was subsequently sent into foster care at the age of 13. His mother, he says, wouldn’t allow him to play outside with the other kids and often “locked him in a room for quite some time” with blankets covering the windows. ![]() Wolfe also claims that Kai had a challenging upbringing in Canada. “I honestly believe Caleb has mental issues, because he seems well but when it comes to a certain situation of pressure, you either become a diamond or you get crushed,” says his cousin, Jeremy McGillvary Wolfe. In the full version of the KMPH video interview that was posted online, Kai mentions another incident where he supposedly rescued a woman from an abusive man, boasting about how he “smashed him in the head” and “busted out all his teeth.” Those who knew him describe Kai, born Caleb McGillvary, as prone to fits of rage. 10 on Netflix, filmmaker Colette Camden explores the deadly aftermath of Kai’s viral fame. But in The Hatchet Wielding Hitchhiker, a new documentary premiering Jan. A reporter for KMPH interviews the happy-go-lucky hatchet man with the Sideshow Bob ‘do, and the video of his zany retelling (“Smash, smash, SUH-MASH!”) explodes, attracting millions of views and turning him into an internet folk hero.įor many, that’s where the story of Kai ended. When an onlooker rushes over to help, the man emerges from the vehicle, traps her in a bear hug and begins choking her - only to have his efforts thwarted by the hitchhiker, who removes a hatchet from his backpack and bashes his head in. ![]() During their journey, the driver - 6-foot-4, 300 pounds - introduces himself as the second coming of Christ, confesses to raping a 14-year-old girl during a business trip in the British Virgin Islands, and says that all Black people should perish, before slamming his vehicle into a Black pedestrian in broad daylight, pinning their body against a truck. It was a story so crazy it had to be true: A homeless surfer-dude hitches a ride from a stranger to Fresno, California.
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![]() ![]() They break out into militaristic marches, machine-gun drumming, and a cacophony of electronics and crushing down-tempo riffs at the drop of a hat. While the band have been busy in the three years between Pulse and this disc (such as guitarist Drop devoting time to his many remixing projects, which I’ll save for another time), and dealing with having to recruit a new bassist, it seems like they still found the time to compose some of the most seething material that the band have put out in a while. Maybe having Seth design your album artwork two times in a row has rubbed off on them, but God Is An Automaton is a much darker album than its predecessors. In the three years between albums, Sybreed have attained a sense for a really heavy groove and sound, more machine-like than they have ever been before. God Is An Automaton actually opens with a fairly familiar version of Sybreed, one that bounces between a hooked chorus and catchy riffs before quickly taking a turn toward the slower-paced songs that make up a large part of this disc. If you’re one of those people who have been aching for the band to get back to beating the hell out of everyone, then God Is An Automaton may just be your cup of tea. God Is An Automaton is a different beast from these two because it is a heavier, more vicious album than what Sybreed have done before. Antares was pretty heavy the whole way through, and Pulse Of Awakening whiplashed back and forth between a catchy pop-oriented sound and some the more violent metal aspects that lay at the heart of Sybreed. ![]() If there is one thing that we can gather from Sybreed’s discography so far it is that although the band have some unifying themes, each disc has sounded different. Three years removed from the group’s album The Pulse Of Awakening (written about in an incredibly ridiculous manner here), we find ourselves ready to dive headlong into another four-word titled album God Is An Automaton. Sybreed, the four-piece hailing from our favorite land of neutrality known as Switzerland who manage to combine elements of groove metal, industrial, electronica, and melodeath into one package are back again. ( DGR reviews the new release by Sybreed.) Zombie Driver: Immortal Edition out now on PS4 For those looking for an FPS experience that’s a little different from the norm and puts a new spin on the retro shooter, this is one to look out for when it launches next month. Beat it, and you can engage with some of the game’s challenge modes as well. BPM is much more about replaying levels and facing not only different levels but also taking newly unlocked weapons and perks into play.ĭespite the randomly generated levels, BPM also features seven bosses that become increasingly difficult to defeat, forming a campaign of sorts without much of narrative. The game plays out very differently though, with randomly generated levels rather than the carefully crafted masterpieces that id created. When things come together, you get into a flow that’s somewhat reminiscent of the recent DOOM titles, which are also all about free-flowing non-stop combat. Bosses also have their own unique ways of tapping into the music that’s playing with their attack patterns, so you’ll have to adapt accordingly. During our playthroughs, we experimented with firing to the beat to amp up the damage that’s being dealt and reloading to the beat to speed up the process quite a bit, but you can also jump and dodge to the sound of the music. Music plays a crucial role in the gameplay, and performing actions to the beat of the (rock opera) soundtrack gets you rewards that might make all the difference in the midst of battle. ![]() Classic high octane shooting action mixed with modernized visuals rather than a straight up Doom/Duke Nukem 3D visual flair to it.īPM has a rather neat twist to it though, and one that’s fairly unique to the world of first person shooters. It’s a retro-inspired shooter, much in the same vein as the recently released Hellbound. Technically that entire title is supposed to be in all caps, but since that hurts my eyes I’ll just go with BPM from here on out. If you fancy more traditional gameplay elements, then you can engage with optional minigames as well.Įither way, if the setting and comedic undertone of Lovingly Evil appeals to you then you’ll want to check out the store page for this PC-exclusive game at īPM: BULLETS PER MINUTE comes out next monthĪnother PC-exclusive is the rhythmically-fueled BPM: Bullets Per Minute, of which we recently got to try a pre-release version. If you prefer the Otome side of things, then the game also lets you explore potential relationships with a handful of the villains you encounter, and you can customize your own character to further experiment with the romantic matchups that are possible in the game. If you’ve enjoyed your fair share of videogaming/movie history over the years, you’ll certainly appreciate the many nods to classic ‘bad guy’ tropes. ![]() Bringing together villains from all worlds, dimensions and times, it’s a who’s who of bad guys.īesides presenting these villains in archetypical and often funny ways, the game also uses the ‘con’ setting to good effect, seamlessly blending in typical conference events like specially themed talks. Its set against the backdrop of a special conference for all things villainy, dubbed V-con. Where a large part of the games in this particular genre feature anime-inspired visuals and themes, Lovingly Evil goes a different route, featuring plenty of humor and poking fun at different archetypes. ![]() ![]() Part visual novel, part dating sim, Lovingly Evil is certainly something different from the norm – and that applies even when you consider the romance-focused visual novel as its own little subgenre. We went hands on with both and also tried out Zombie Driver’s Immortal Edition, which now comes with PS5 compatibility included! As we count down the days until Gamescom (which launches digitally in about a week), we take a moment to check out two brand new games: Lovingly Evil from Lizard Hazard Games and Green Man Gaming launches this week, whereas BPM: Bullets Per Minute doesn’t launch until next month. ![]() ![]() Often you’ll have to remind them by actually saying, “Enjoy the moment.” Have them taken turns saying one thing at a time.Īllow them to enjoy the moment. Have the couple face each other and have one person say something that they love about the other. Using this tactic can be an excellent way for the couple to seem more romantic and feel the romance that they share! Ask Your Couple to Say Nice Things to Each Otherĭuring sessions, people can feel nervous and take note of the big camera that you’re using. It’s a perfect time to get close up shots of the couple’s details, such as the engagement ring. Having the couple close together can make a romantic photo feel more real. You can also have your couple cuddle under a blanket at the beach or on a sofa. Cuddling can mean hugging while sitting, lying, or standing. Nothing like a good cuddle to help the couple feel more relaxed and get great romantic pictures of them. Sultry and romantic! Ask Them to Cuddle for Relaxed Couple Photos It’s like watching the movie of the couple’s first time kiss unfold right before your camera. You can take it from different angles to show the level of intimacy the two people share. The almost kiss is the most romantic picture. The more time they wait in this pose, the more they’ll want to kiss! After you get the shot, allow them to kiss.ĭon’t put your camera down yet, make sure you get a photo of the actual kiss as well! You might get a few laughs, which makes for a cute photo as well.Īs they almost touch lips, ask them to freeze. Ask them to close their eyes, so it doesn’t feel weird, staring at each other. Using the “almost kiss” can bring about much more romance than an actual kiss can! I’ll explain how below.Īn almost kiss is when you ask your clients to inch closer until they are almost touching lips. Kissing in front of a camera can feel a bit off since many couples find kissing to be an intimate act of love. They will feel more comfortable and focused on each other rather than on your camera. You can use natural posing between more posed shots during the romantic session. Ask the couple to rub noses, or walk and talk about what they like in each other. ![]() Capture the romance that comes from looking into each other’s eyes. It gives the couple time to get comfortable in front of the camera.Īs the session progresses, ask them to get closer. This type of posing can be precisely what a couple needs, especially when you use it during the start of the session. This can mean hugging, kissing, walking, talking, laughing, or admiring the view. Ask the couple to get close and enjoy the moment. Natural posing can help a couple feel more comfortable in front of the camera. Help Couples Feel Comfortable with Natural Posing Rather than creating romance, focus on the connection and love within the family. Romantic family portraits can show affection like hugs, kisses, cuddles, and laughter. This type of photography can also be great for family photo shoots. It gives clients the chance to have an image that captures their love for one another. Romantic photography can illustrate the intimacy that people share. This style of photography is about showing affection through connection and intimacy. Romantic photography captures the romance between two people. Buy from Unavailable What Is Romantic Photography? ![]() ▼ …And the usually crowded stores and hallways were eerily empty ▼ Once inside, all visitors had their temperature checked… ▼ Hand sanitisation stations with automatic sensors were in place for visitors to use before entering the building. The entrance looked very different to the one she was used to seeing pre-pandemic, with covered walkways now set up to keep crowds separated. ▼ After a short two-minute walk she found herself outside the Kokugikan (National Hall), the venue for the current 14-28 March tournament. ![]() ▼ Ikuna boarded a train at Shinjuku and alighted at Ryogoku, the closest station to the sumo stadium. ![]() So what exactly are those countermeasures, and are they enough to make spectators feel safe during the pandemic? Our Japanese-language reporter Ikuna Kamezawa was keen to find the answers to these questions, so when tickets were released for this month’s Osaka tournament, which has been moved to Tokyo once again by the Japan Sumo Association, she booked herself a seat on opening day and headed out to investigate. The events in Tokyo went ahead with spectators reduced to 2,500 people, or around a quarter of the venue’s capacity, before being gradually increased to 5,000, with countermeasures in place to safeguard visitors from coronavirus transmission. After that, fans in Aichi and Fukuoka missed out on attending their local tournaments in July and November respectively, as these were moved to Tokyo to keep wrestlers from travelling outside of the capital during the pandemic. While the Osaka tournament in March 2020 went ahead without spectators for the first time in history, the Tokyo tournament in May was called off completely due to the state of emergency. Last year was a tough one for Japanese sumo, with the coronavirus pandemic throwing a spanner in the works for the sport’s annual indoor tournaments, which are traditionally held six times every year–three times at Tokyo’s Ryogoku Kokugikan and once each in Osaka, Aichi and Fukuoka prefectures. Jojo's Bizarre Adventure antagonist inspiration: Hol Horse, J.We take you through a day at the sumo, with all-new procedures, restrictions and perks for spectators. Outfits: Squidlife Headphones, Chili-Pepper Ski Jacket, Strapping Reds However, Strikeshot always needs to find a suitable partner before doing some dirty business. Later, Precursor decided to help Strikeshot by hiring him to destroy all who stand in Precursor's way. But as soon the officials found out he was cheating, even during matches against teams like Team Tidal Falcons, he was banned from turf wars. Weapon of Choice: Modified N-ZAP '83 (which can be summoned via Point-Blank Summon, and can fire an unlimited supply of homing ink bullets), Throwing Knives.īio: Strikeshot was once a normal inking who hated losing so much, he had to modify his N-ZAP '83 to get the upper hand for his team. Goals: To destroy Legend-Kun, the X9, the manga inklings, and every other good inkling and octoling in his way, to pledge loyalty to Precursor-Kun, to gain more money. etc.), Losing, being at a disadvantage by himself. Money, money, and more money.ĭislikes: All Splatoon Manga Characters (including Team Emperor and Team Goggles), all other characters in the Splatoon community (including /Fairy's Melody, Klitz, Sherry, Team Turf Superiors, Team Whirlpulse, Team Tidal Falcons, Team Royalties of Pink Ink, etc. Likes: Prefers to team up with someone else. Personality: Confident, Cowardly(when at a disadvantage), Greedy. ![]() So my actors could confidently cue off of specific sounds or lights for their reactions or lines. The beauty of using QLab for the sequence meant that it was exactly the same each time, whether in rehearsal or performance. ![]() And the entire bombing raid was triggered by one push of the space bar. If I remember correctly, the entire effect had over 50 separate sound and light cues. Once she was hands on, it was a piece of cake. Then I explained QLab and she was a little more confident. When I initially described the effect to my student in the booth, and told her she'd be running all lights and sound for the effect, she literally started to have a panic attack at the thought of that responsibility. Then the bombers flew off behind and to the left. Bombs fell from up high, and exploded all around them, with explosive flashes of light perfectly timed to the sound. During the bombings on Amsterdam our audience heard the planes approach from behind and to the right. The interface also provided MIDI connection to our ETC Element lighting console, so QLab could send MSC (MIDI Show Control) triggers to the lighting. I used an audio interface to give me 7 distinctive sources of sound - rear of house left and right speakers, left and right speakers in our orchestra pit, left and right speakers behind the set, and our main center cluster. Just an example of what it can do: We did Diary of Anne Frank and I used QLab to control all sound and lights. Their current plan is renting for 110 days equals buying a license. If you search for "QLab After Dark" you'll find a series of 14 video tutorials that touch on a lot of the capabilities of this software. Current cost is $4.00/day, and it accrues towards me owning a copy. I've rented the audio version for my last three production. If you try something with a cue that is not allowed in the free version, the software will flag the cue to let you know. It is worthwhile to download it, and experiment. The free version is very capable for basic stereo sound cues and basic video to one external monitor/projector. There's still just one "Show Control" but using OSC with an iPad would let you control it remotely, without losing local control at the computer.I'll also chime in to recommend QLab. I've never tried using MULTIPLE iPads with that but I don't know of a reason why you couldn't. If you do want multiple OPERATORS working on Show Control, an alternative would be to use an iPad or similar with an OSC application like TouchOSC. ![]() but for a single operator, that should work. But if it's just wanting to see MORE of Show Control, multiple tabs directly viewable etc. The mouse is on one screen or another, if two people are fiddling with the two instances at once you're bound to have conflicts. So while you could, in theory, have multiple windows open and controllable - they'd not be SIMULTANEOUSLY controllable. I do see some problems with that scheme, a "Touch screen" on a computer is just a way of controlling the mouse via touch. Well, I don't think it's something we'd use - but I understand more about what you're asking now. Oh, I see - so by using a "Control surface" you mean directly controlling multiple instances of Show Control on the computer itself, not using an external surface like an ENTTEC Wing to manipulate it. Note:Transmission fluid may creep from the transmission bore during installation.Thoroughly clean the transmission bore and ribbing of fluid and debris immediatelyprior to installing the transfer case. chamfer andremove burrs from the cut end of the bolt.Hand thread the guide pins (1) into the transmission upper and lower transfer casemounting bolt holes. ![]() Note:Use guide pins to aid in alignment and installation of the transfer case to the transmission.Failure to use guide pins may result in cutting the transfer case O-ring seal duringinstallation of the transfer case causing a fluid leak.Fabricate 2 guide pins by cutting the heads off of 2 bolts M12x1.75x75. A clean bore will prevent oxidation build up fromscuffing or cutting the O-ring seal upon transfer case installation, resulting ina leak.Carefully insert a clean soft cloth into the transmission torque converter housingdifferential bore to prevent debris from entering the transmission.Clean the oxidation from the transmission torque converter housing differential boresurface using steel wool or crocus cloth.Carefully remove any debris and the cloth from the transmission torque converter housingdifferential bore. Note:Oxidation must be removed from the transmission torque converter housing bore beforeinstallation of the transfer case. Lube the O-ring with light coating of automatic transmission fluid. ![]() Remove the bolts-(1) securing the transfer case to the transaxle.Remove the transfer case-(2) from the transaxle.Remove the transfer case to transmission O-ring for (LFW) engine or the gasket for(LAF) engine.Installation ProcedureInstall a NEW the transfer case to transmission O-ring for LFW engine or NEW gasketfor LAF engine. Refer toTransmission Rear Mount Bracket Replacement. Refer toTransfer Case Brace Replacement.Remove the transfer case mounting bracket-(3).Support the transaxle with a jackstand.Remove the rear transmission mount and bracket. For the LFW engine, refer toCatalytic Converter Replacement - Right Sideand for the LAF engine refer toCatalytic Converter Replacement. Refer toFront Wheel Drive Shaft Replacement.Remove the catalytic converter. Refer toPropeller Shaft Replacement.Remove the right wheel drive shaft. Refer toTransmission Fluid Drain and Fillfor the 6T30/6T40/6T45 orTransmission Fluid Drain and Fillfor the 6T70/6T75.Remove the propeller shaft. Refer toTransfer Case Fluid Replacement.Drain the transmission fluid. ![]() Refer toLifting and Jacking the Vehicle.Drain the transfer case fluid. Removal ProcedureRaise and support the vehicle. Chevrolet Equinox Service Manual / Powertrain / Transmission/Transaxle / Transfer Case Assembly Replacement Automatic Transmission Unit ![]() Check out the full list of GTA 4 Xbox Cheats below. The cheat codes for Xbox One and Xbox 360 are much the same as the ones for PC and PS3, though there are a couple of differences. We’ve listed all of the GTA 4 Cheats for Xbox One, PS3, Xbox 360 and PC below. All you need to do is open the phone menu, enter the call number corresponding to the cheat you wish to trigger, and press call. GTA 4 cheats: weapons, vehicles, armour, health, and more All the GTA 4 cheats for Xbox 360, PS3, and PC Jess Wells Published: Grand Theft Auto IV When you’re not going bowling with your cousin, you’re probably wandering around the streets of Liberty City looking for something to do. With the introduction of the mobile phone, Rockstar has allowed players to enter cheats as phone numbers. We’ve listed all of the GTA 4 Cheats for Xbox One, PS3, Xbox 360 and PC below.Įntering cheats in GTA 4 works a little differently to how it does in other GTA games. Mostly, the GTA 4 Cheats focus on vehicle spawns and weapons, which I’m sure no seasoned GTA player would turn their nose up at. They need to open the phone menu, enter the number of the code, and press the call button for it to trigger. GTA 4 CheatsĪs we mentioned before, the cheats for GTA 4 are a little more understated than in previous entries, though there’s still plenty of mayhem to be caused. Each cheat in GTA 4 is a phone number that gamers can type in and activate. Cheats Editors Office translated by: Kajlin 3625550100, 100 ammo 4865550100, Basketball bat, hand weapon, shot gun, MP5, M4, Sniper, RPG. We’ll be breaking them up by platform, and also be taking a look at the best ways to make money, given there isn’t a free money cheat this time around. In this GTA 4 Cheats Guide, we’ll be detailing all of the GTA 4 cheats you can use on Xbox One, Xbox 360, PS3 and PC. The hilarious physics system does make the cheats that are on offer much more impactful though, so there’s still plenty of fun to be had. ![]() It’s a little lighter on whimsy than its predecessors, as there are significantly fewer cheats available. It presented one of the most detailed open worlds at the time of release and introduced several features that have now become mainstays of the GTA and Red Dead franchises. GTA 4 introduced the world to Niko Bellic, the Serbian scoundrel who arrives in Liberty City ready to make it his own. Drive along the strip club in Bohan, after some time u will see a girl who wears bra and pantis, then go over wif a car and hong on her and then she will talk to u and get in ur car. ![]() Previous to the publication of Mason & Dixon, I put the question of how a "Pynchon newbie" might best approach this new Pynchon novel to the Pynchon List, an email list-serve group on the internet composed of bright and opinionated folks who delight in discussing and arguing the significance of events and characters in Pynchon's canon, quoting favorite passages, discovering ever new connections (and occasionally suckered by "Kute Korrespondences") and endlessly probing the seemingly infinite moiré of interconnected meanings. And, of course, there is simply the sheer beauty and breathtaking power of the writing, the subtly interwoven plots and themes, the rich detail and, as Penny Padgett (who helps maintain the Thomas Pynchon Home Page) put it, "the way you can find something amazing on just about every page, the way these amazing things have a way of connecting to each other, giving you that 'aha!' experience every time you look closer." But one must be reminded that beneath the wide-ranging erudition and complexity there beats a rock 'n' roll heart, and the daunting mystery and "high seriousness" is counterbalanced by flights of zany (and often quite dark) humor. (1963), and Mason & Dixon (1997), Against the Day is a large and complex work. This provides, as another long-time fan expressed it, "the tremendous pleasure bestowed on the reader of being in on a joint venture of a sort." Onto Pynchon's richly detailed and often ambiguous landscape the reader projects his/her own interpretation in order to bring the work "into pulsing stelliferous Meaning" ( Lot 49, p.82). Thomas Pynchon projects a world, and so does the reader. "Shall I project a world?" wonders Oedipa Maas, the heroine in Pynchon's second, and some say most accessible, novel, The Crying of Lot 49 (1966). To plunge down the rabbit hole of Pynchon's fiction is to commence a journey into another world, a world infused with magic and mystery, a wonderfully labyrinthine world where "real" history and fiction intersect and dissolve into dream. ![]() As one seasoned reader of Pynchon put it, "difficult, schmifficult!" But it's not the whole truth, not nearly. This is the rap, and there is some truth to it. Don't believe what you've heard, and here's what you've probably heard: Thomas Pynchon's novels are brilliant but difficult the multiple plots twist and turn and rarely resolve there are a gazillion characters you'll need a dictionary and an encyclopedia to understand all the scientific metaphors and obscure words. ![]() The poet Ibycus, though a native of Rhegium, led a very wandering life. Other departments of literature do not seem to have been so much cultivated among them. ![]() The Pythagorean and Eleatic systems of philosophy had their chief seat in Magna Graecia. An amphictyonic league, meeting in common rites at the temple of Hera on the Lacinian promontory, fostered a feeling of unity among them. After the Achaean cities had combined to destroy the Ionic Siris, and had founded Metapontum as a counterpoise to the Dorian Tarentum, there seems to have been little strife among the Italiotes. The Italian colonies were planted among friendly, almost kindred, races, and grew much more rapidly than the Sicilian Greek states, which had to contend against the power of Carthage. Ionian Greeks fleeing from foreign invasion founded Siris about 650 B.C., and, much later, Elea (540). It was industrial, depending largely on the purple and pottery trade. Tarentum is remarkable as the only foreign settlement made by the Spartans. Tarentum (whether or no founded by pre-Dorian Greeks - its founders bore the unexplained name of Partheniae) became a Laconian colony at some unknown date, whence a legend grew up connecting the Partheniae with Sparta, and 707 B.C. Sybaris (721) and Crotona (703) were Achaean settlements Locri Epizephyrii (about 710) was settled by Ozolian Locrians, so that, had it not been for the Dorian colony of Tarentum, the southern coast of Italy would have been entirely occupied by a group of Achaean cities. After this the energy of Chalcis went onward to Sicily, and the states of the Corinthian Gulf carried out the colonization of Italy, Rhegium having been founded, it is true, by Chalcis, but after Messana (Zancle), and at the request of the inhabitants of the latter. 1 The trade for a long time was chiefly in the hands of the Euboeans and Cyme (Cumae) in Campania was founded in the 8th century B.C., when the Euboean Cyme was still a great city. At an early time a trade in copper was carried on between Greece and Temesa (Homer, Od. The Greek colonies were established first as trading stations, which grew into independent cities. The interior, which the Greeks never subdued, continued to be in the hands of the Bruttii, the native mountaineers, from whom the district was named in Roman times ( Bperrfa also in Greek writers). A fourth possible case regards people coming from the mother-town at a later time after the foundation of the colony and bringing with them non-colonial features of the same alphabet and/or dialect.MAGNA GRAECIA µey tXi `EXX6), the name given (first, apparently, in the 6th century B.C.) to the group of Greek cities along the coast of the "toe" of South Italy (or more strictly those only from Tarentum to Locri, along the east coast), while the people were called Italiotes ('IraXeivrac). ![]() In this paper, four cases are discussed on the basis of the dialectal material found in the Euboean colonies of Sicily and Magna Graecia: 1) features that can be ascribed to the originally mixed character of the colony’s population already at the time of the colonial enterprise 2) features related to the presence of foreigners in the colony who arrived after its foundation, from faraway lands, or 3) from nearby regions, as in the case of the influence from other Greek colonial settlements or even from non-Greek settlements. Greek colonies provide a privileged viewpoint from which to regard this issue. Linguistic contact is possible at any time. ![]() It goes almost without saying that linguistic evidence found in a specific place does not have to belong to the language or dialect mainly spoken there. |
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